Quotes From "The Red And The Black" By Stendhal

1
For the future, I shall rely only upon those elements of my character which I have tested. Who would ever have said that I should find pleasure in shedding tears? That I should love the man who proves to me that I am nothing more than a fool? Stendhal
2
A novel is a mirror walking along a main road. Stendhal
A good book is an event in my life.
3
A good book is an event in my life. Stendhal
4
Ah, Sir, a novel is a mirror carried along a high road. At one moment it reflects to your vision the azure skies, at another the mire of the puddles at your feet. And the man who carries this mirror in his pack will be accused by you of being immoral! His mirror shews the mire, and you blame the mirror! Rather blame that high road upon which the puddle lies, still more the inspector of roads who allows the water to gather and the puddle to form. Stendhal
I am mad, I am going under, I must follow...
5
I am mad, I am going under, I must follow the advice of a friend, and pay no heed to myself. Stendhal
6
Love born in the brain is more spirited, doubtless, than true love, but it has only flashes of enthusiasm; it knows itself too well, it criticizes itself incessantly; so far from banishing thought, it is itself reared only upon a structure of thought. Stendhal
7
Indeed, man has two different beings inside him. What devil thought of that malicious touch? Stendhal
8
Mathilde made an effort to use the more intimate form; she was evidently more attentive to this unusual way of speaking than to what she was saying. This use of the singular form, stripped of the tone of affection, ceased, after a moment, to afford Julien any pleasure, he was astonished at the absence of happiness; finally, in order to feel it, he had recourse to his reason. He saw himself highly esteemed by this girl who was so proud, and never bestowed unrestricted praise; by this line of reasoning he arrived at a gratification of his self-esteem. Stendhal
9
The ordinary procedure of the nineteenth century is that when a powerful and noble personage encounters a man of feeling, he kills, exiles, imprisons or so humiliates him that the other, like a fool, dies of grief. Stendhal
10
An English traveller relates how he lived upon intimate terms with a tiger; he had reared it and used to play with it, but always kept a loaded pistol on the table. Stendhal
11
A melancholy air can never be the right thing; what you want is a bored air. If you are melancholy, it must be because you want something, there is something in which you have not succ Stendhal
12
Has he written to you?'' He writes frequently.'' Shew me his letters this instant, I order you'; and M. de Renal added six feet to his stature. Stendhal
13
Julien felt himself to be strong and resolute like a man who sees clearly into his own heart. Stendhal
14
Chélan had acted as imprudently for Julien as he had for himself. He had given him the habit of reasoning correctly, and of not being put off by empty words, but he had neglected to tell him that this habit was a crime in the person of no importance, since every piece of logical reasoning is offensive. Stendhal
15
After moral poisoning, one requires physical remedies and a bottle of champagne. Stendhal
16
I think being condemned to death is the only real distinction, " said Mathilde. "It is the only thing which cannot be bought. Stendhal
17
They were completely vague. They expressed everything and nothing. 'It is the Æolian harp of style, ' thought Julien. 'Amid the most lofty thoughts about annihilation, death, the infinite, etc., I can see no reality save a shocking fear of ridicule. Stendhal
18
In Paris, Julien’s position with regard to Madame de Renal would very soon have been simplified; but in Paris love is the child of the novels. The young tutor and his timid mistress would have found in three or four novels, and even in the lyrics of the Gymnase, a clear statement of their situation. The novels would have outlined for them the part to be played, shown them the model to copy; and this model, sooner or later, albeit without the slightest pleasure, and perhaps with reluctance, vanity would have compelled Julien to follow. In a small town of the Aveyron or the Pyrenees, the slightest incident would have been made decisive by the ardour of the climate. Beneath our more sombre skies, a penniless young man, who is ambitious only because the refinement of his nature puts him in need of some of those pleasures which money provides, is in daily contact with a woman of thirty who is sincerely virtuous, occupied with her children, and never looks to novels for examples of conduct. Everything goes slowly, everything happens by degrees in the provinces: life is more natural. Stendhal